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Transcriber's note: Until recently this work was attributed to John Lydgate, but now most scholars consider that the author is unknown. The first mention of Lydgate's authorship of this work was made by Stephen Hawes in 1505 as one of Lydgate's seven major works. But many scholars have doubted over the years that this poem was written by Lydgate, because the style used doesn't greatly resemble the style of Lydgate's other works, and the vocabulary is somewhat more modern than Lydgate is known to have used. Modern scholars believe that this work was written between 1478 and 1483 (about forty years after Lydgate's death). Analysis of style and vocabulary have led scholars to conclude that the author might have been a woman. For further information about this poem please see The Assembly of Gods, edited by Jane Chance, published by Medieval Institute Publications, Kalamazoo, Michigan, 1999, ISBN: 1580440223, which is also available online at Rochester University.
The book from which this e-book was transcribed is a fascimile reprint of the third printing of this book, made by Wynkyn de Worde circa 1500. The book was printed in blackletter font known as Wynkyn de Worde's type 3, and uses many abbreviations, which I have expanded and rendered in italics. The abbreviations used in this book are:
,
,
,
,
—Macron over the
letter. The most common one, usually meaning missing
"n" or "m" after the letter. But in some
cases might also mean missing "e", "er" or
"re" after the letter. This happens usually when p, q
or r have macrons.
—Little e over Middle-English thorn, meaning
"the."
—Little t over Middle-English thorn, meaning
"that."
—Little u over Middle-English thorn, meaning
"thou."
—Little t over w, meaning "with."
—Middle-English yogh, representing
"gh."
—Superscripted 9 after letter, meaning missing
"us." Used only at the end of the word.
—Stretched s, looking like integral sign, meaning
missing "e" or "i" before letter s.
,
,
,
—Dot over the
letter, meaning missing "e", "er" or
"re" after the letter. Usually used with d, t, e and u.
Combination q+d with dot means "quod."
,
,
—Strike
through letter, meaning missing "e", "er" or
"re" after the letter. Usually used with p, v and s.
Striked through p might also mean missing "ro" or
"or" after p.Occasionally there were some letters printed upside down. I have rendered them inside brackets, e.g., [x]. The poem uses two types of punctuation--a dot, meaning longer pause, and a slash, meaning shorter pause or comma. I have corrected many errors and noted them. Also this printing was missing three lines and one line had several letters missing from the middle of the line. They are marked and the correct reading is supplied from the modern edition mentioned above. There were a couple of places where the word "nota" or "note" was printed, but the actual notes weren't found in this reprint. There's a fair chance that those notes were never printed. The original page images are displayed on the left margin and each links to a larger view.
The work here reprinted formed part of the famous volume of black-letter tracts (formerly marked AB. 4. 58), which came to the University Library in 1715 by the gift of King George the First with the rest of the library of John Moore, Bishop of Ely. No other copy of this edition is recorded to be in existence.
The types used are Caxton's type 3 (for the title) and Wynkyn de Worde's type 3, with final m and n etc. from type 1 (in the rest of the book). This type 3 is not known to have been used before 1499.
Mr Sayle remarks that the woodcut illustration is taken from Caxton's second edition (ab. 1483-4) of Chaucer's Canterbury Tales.
FRANCIS JENKINSON
1906 March 5.
I certify that I have printed 250 copies only of this facsimile, that the impressions have been rubbed off the plates and the negatives destroyed.
P. DUJARDIN
han Phebus the crabbe had nere his cours ronne
And toward the Leon his Iourney gan take
To loke on Pyctagoras spere / I had begonne
Syttyng all solytary allone besyde a lake.
Musyng on a maner how that I myght make.
Reason and sensualyte in one to accorde.
But I coude not bryng about the manacorde.
Soo vp I
arose and forth with hym went.
Saynge in this wyse. O
thou lorde Pluto.
And whan Dyana had made
her compleynt
That on the se bankes lye
beten full hye.
Then
cursed they the tyme that euer thei me
fand
For here
Prima facie to vs doth appere.
And than togeder went
they in fere.
For thyne own wele say
and tary nought
And than
god Neptunus of his maner spak
A crown
of yron on his hede a spere in his
hond
And nexte in ordre was
set by his syde.
That wo was me whyle I
beheld his face
Of his
straunge aray merueyled I sore.
He had a gylden tonge as
fyll for his degree
Sortes &
Saph[y]rus with hermes stode behynd
As he had ben a gost came in a
wyndyng shete
Remembre how ye made me your
offycere
Iason ne Hercules went
they neuer so wyde.
And whan al the goddis
had attropos hered
& ellis of you anger
he wyll make but a iape.
Wherfore Cerberus
toke the next way
Wherfore the goddys hygh
pleysur to fulfyll
Wherfore you
Cerberus now I the charge
And next hym on a
gote folowed Lechery
Inordynat desyre of worldly excellence
Wrong vsurpers wyth
grete extorcyoners
Pseudo Prophetes false
Sodemytes.
If he dyde it shold
torne hym to dolour.
They hym comforted & bad hym put no
doute.
Hymselfe sekerly was the fyrst man.
On his helm for his
crest he bare on ospray.
And sadnesse alse wyth
the commaundementes
They shuld wyth hym go
& as I coud auyse
I trow there was not
brefely to conclude.
Mayntenours of ryghte
verey penytentes.
For than wold he
haue thought he hade to long
slept
Of hys pety capteynes he made many a
knight
Reson dyscresyon & good
remembraunce.
That
caused Vertu after mykyll woo to feele
All that tyme Frewyll
stode & hym bethought.
For this day shal Vyce
be made a conquerour.
How is it that ye haue
noo compassyone.
No man coude hym let
tyll he came there.
Then came there downe
goodly ladyes tweyn.
Of the glory were &
gracious conquerours.
Prayng theym for
olde acqueyntance theym socoure
And sayd that he had take hym
prysonere.
And then sayd Vertu to
Sensualyte.
After his deserte we
shall hym entreate
Sayeng to the goddys I see ye do but
iape.
Towarde Macrocosme with a peynted
fase.
All vnlyke that
other of colour fayr & bryght.
What sad ryghtwysnesse thou olde
dotyng foole.
That in Macrocosme
sesyne shalt thou take
Therof he
anoynted & made hit sanctuary
Haste
thou seen ynough or wyll thou see more
Fast by Doctryne on that
one syde
Next whom stode Moyses
with his tables two
Then folowed in pycture
wyth Thoby pacyent
Benet and Hew relygyous
gouernours.
All erthly rychesse
count I no more.
For lyke as Colus beyng
at his large
Wherefore are children put to
scoole
Tyll
moyses vnder god the tables of stone kept
Wherby more plentouously
corne dyd habounde
Thus duryng the tyme of
deuyacion
Whiche .iii. tymes a
sondry dyuyded
For in this short vysyon thou hast seen
it before
Of God or Deuyll haue
suche lytyll drede
Is to vnderstonde nomore
but dampnacyon
Hast thou properly the
verey sentence
Among whome Dyogenes
sate in a tonne
And euen with that came
to my mynde
And euen with that she
the mater brake
Aha sayd Doctryne then
is the conclusyon
Therof to expresse the
veray sentence
Then
sayd Morpleus let vs go hens
I knew not wherefore I
toke pen & ynke
That is to say the
Deuyll & the Flesshe
Graunte
eternal Ioye after thy last sentence[1] The next line is missing from the original. The missing line reads:
[2] The next line is missing from the original. The missing line reads:
[3] The next line is missing from the original. The missing line reads:
[4] This line has some missing letters from the middle. The line should read: